{"id":5613,"date":"2026-07-17T22:22:17","date_gmt":"2026-07-17T22:22:17","guid":{"rendered":"https:\/\/propernews.co\/?p=5613"},"modified":"2026-07-17T22:22:17","modified_gmt":"2026-07-17T22:22:17","slug":"the-doomies-a-new-animated-series-captures-the-all-ages-appeal-of-gravity-falls","status":"publish","type":"post","link":"https:\/\/propernews.co\/?p=5613","title":{"rendered":"The Doomies: A New Animated Series Captures the All-Ages Appeal of Gravity Falls"},"content":{"rendered":"<p>The enduring appeal of &quot;Gravity Falls,&quot; the beloved Disney Channel animated series that aired from 2012 to 2016, continues to resonate with audiences, largely due to its masterful ability to craft a narrative that captivated viewers of all ages. Created by Alex Hirsch, the show was more than just a children&#8217;s program; it was an ambitious exploration of mystery and character development, drawing inspiration from critically acclaimed series like &quot;Twin Peaks&quot; and &quot;Lost.&quot; The misadventures of twins Dipper and Mabel Pines during a summer in a secretive Oregon town offered a rich tapestry of storytelling that appealed to everyone from young children to adults. For years, fans have sought a successor that could capture this unique blend of accessibility and sophisticated narrative. Now, on Disney+, the new series &quot;The Doomies&quot; emerges as a promising contender, offering a similar charm by weaving family-friendly storytelling with mature source material.<\/p>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/propernews.co\/?p=5613\/#A_Familiar_Echo_in_a_New_Landscape\" >A Familiar Echo in a New Landscape<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/propernews.co\/?p=5613\/#The_Genesis_of_%22The_Doomies%22\" >The Genesis of &quot;The Doomies&quot;<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/propernews.co\/?p=5613\/#Narrative_Structure_and_Character_Development\" >Narrative Structure and Character Development<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/propernews.co\/?p=5613\/#Critical_Reception_and_Audience_Engagement\" >Critical Reception and Audience Engagement<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/propernews.co\/?p=5613\/#The_Legacy_of_%22Gravity_Falls%22_and_the_Future_of_%22The_Doomies%22\" >The Legacy of &quot;Gravity Falls&quot; and the Future of &quot;The Doomies&quot;<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/propernews.co\/?p=5613\/#Implications_and_Future_Prospects\" >Implications and Future Prospects<\/a><\/li><\/ul><\/nav><\/div>\n<h3><span class=\"ez-toc-section\" id=\"A_Familiar_Echo_in_a_New_Landscape\"><\/span>A Familiar Echo in a New Landscape<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>&quot;The Doomies,&quot; described as a fusion of &quot;Evil Dead&quot; and &quot;Buffy the Vampire Slayer&quot; tailored for a younger demographic, presents itself as a rollicking mystery series poised to delight horror enthusiasts and potentially cultivate a new generation of fans. The series, a collaborative effort by French animation studio Xiliam and creators Andr\u00e9as Fernandez, Henry Gifford, and R\u00e9mi Zaarour, debuted on Disney+ in June of last year. Its release, however, was largely understated, a fact that contributed to its initial lack of widespread recognition. The decision by Disney+ to drop all 22 episodes simultaneously, with minimal pre-release promotion, meant the show missed out on the sustained buzz that a weekly release schedule often generates. This format is particularly beneficial for shows like &quot;The Doomies,&quot; which expertly balance episodic adventures with a serialized story arc, a structure that typically unfolds with greater satisfaction when viewed with deliberate pacing rather than a rapid binge.<\/p>\n<figure class=\"article-inline-figure\"><img decoding=\"async\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2026\/07\/thedoomies.jpg?w=650\" alt=\"\u2018The Doomies\u2019 Could Be the Spiritual Successor to \u2018Gravity Falls\u2019 That Animation Needs\" class=\"article-inline-img\" loading=\"lazy\" \/><\/figure>\n<h3><span class=\"ez-toc-section\" id=\"The_Genesis_of_%22The_Doomies%22\"><\/span>The Genesis of &quot;The Doomies&quot;<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>The narrative of &quot;The Doomies&quot; centers on two best friends, Bobby and Romy, who share a passion for mysteries and the macabre. Their days are spent investigating purported supernatural phenomena in their quiet coastal French town, meticulously documenting their findings for their online platform, &quot;The Doomies.&quot; The inciting incident occurs in the pilot episode, &quot;Crepe Day,&quot; when a mysterious glowing rock discovered in the woods curses Bobby and rips open a portal to Subterra, a dimension teeming with monsters. This paranormal event forces the young investigators to team up with the enigmatic local lighthouse keeper, Doug, and subsequently with Kim, a stoic individual destined to be the Chosen One against the encroaching evil.<\/p>\n<p>The pilot episode immediately establishes a compelling dynamic between the two protagonists. Romy is portrayed as the more outgoing and sarcastic of the pair, while Bobby leans towards a more sensitive and introspective disposition. This contrast creates an engaging comedic and dramatic foundation. A particularly noteworthy element that encapsulates the show&#8217;s unique appeal is its end credits sequence. Here, the Necronomicon from the &quot;Evil Dead&quot; franchise is depicted with its signature flesh-bound cover, rendered in a child-like crayon drawing. This visual metaphor perfectly encapsulates the series&#8217; ability to reinterpret classic horror tropes in a manner that is both accessible to children and respects the integrity of the source material. Throughout its 22 episodes, &quot;The Doomies&quot; confronts its young heroes with a diverse array of supernatural threats, including vampires, parasitic demons, malevolent mermaids, and spirits drawn from French folklore. These adversaries are presented as genuine dangers, and while the series incorporates humor, it never trivializes the stakes faced by Bobby and Romy. The animation style itself, characterized by its simplicity and stylized approach reminiscent of vintage comic strips, employs bold use of color and shadow to effectively build atmosphere and a palpable sense of peril.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Narrative_Structure_and_Character_Development\"><\/span>Narrative Structure and Character Development<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Similar to the acclaimed &quot;Gravity Falls,&quot; &quot;The Doomies&quot; adeptly blends standalone episodic narratives with overarching plotlines that drive the season&#8217;s central mystery: finding a way to break Bobby&#8217;s curse and seal the portal to Subterra. Recurring villains often serve as the focal point of extended story arcs, while new threats continually emerge, keeping the narrative dynamic and engaging. Concurrently, the relationships between the main characters undergo steady development. A particularly notable arc involves Kim, who initially appears detached from modern human interactions and harbors a deep distrust of Bobby. While not every character moment in the first season achieves perfect resonance, and Romy could benefit from more individual exploration beyond her role as Bobby&#8217;s confidante, the ensemble&#8217;s authentic comedic chemistry fosters a likable group dynamic. This chemistry encourages viewers to invest in their journey as they venture into the unknown.<\/p>\n<figure class=\"article-inline-figure\"><img decoding=\"async\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2026\/07\/GettyImages-462725362.jpg?w=300&amp;h=168&amp;crop=1\" alt=\"\u2018The Doomies\u2019 Could Be the Spiritual Successor to \u2018Gravity Falls\u2019 That Animation Needs\" class=\"article-inline-img\" loading=\"lazy\" \/><\/figure>\n<h3><span class=\"ez-toc-section\" id=\"Critical_Reception_and_Audience_Engagement\"><\/span>Critical Reception and Audience Engagement<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>While official viewership figures for &quot;The Doomies&quot; on Disney+ have not been publicly disclosed, the series has garnered positive attention through word-of-mouth and online discussions among animation enthusiasts. Critics have praised its innovative approach to blending horror elements with child-friendly storytelling, a balance that has historically been challenging to achieve. The series&#8217; ability to reference and pay homage to iconic horror franchises while maintaining its own distinct identity has been a key point of discussion. The animation quality, though stylized, has been lauded for its effectiveness in creating mood and conveying action, particularly its use of contrasting light and shadow to enhance the sense of dread and wonder.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"The_Legacy_of_%22Gravity_Falls%22_and_the_Future_of_%22The_Doomies%22\"><\/span>The Legacy of &quot;Gravity Falls&quot; and the Future of &quot;The Doomies&quot;<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>The comparison to &quot;Gravity Falls&quot; is not merely a matter of nostalgia; it highlights a specific niche in children&#8217;s programming that prioritizes intelligence, depth, and a genuine sense of mystery. &quot;Gravity Falls&quot; achieved a rare feat by creating a world so rich with lore and character that it appealed to a broad spectrum of viewers. Its success demonstrated a market for animated content that respects its audience&#8217;s intelligence and offers layered storytelling that can be appreciated on multiple levels. &quot;The Doomies&quot; appears to be building on this foundation, demonstrating that there is still a strong demand for animated series that can be both entertaining for children and engaging for adults.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Implications_and_Future_Prospects\"><\/span>Implications and Future Prospects<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>As of the current reporting, &quot;The Doomies&quot; has not yet been officially renewed for a second season. However, the first season concludes on a significant cliffhanger, strongly suggesting the creative team&#8217;s intention for further exploration of the series&#8217; universe. A renewal would provide the opportunity for the show to fully solidify its narrative voice and capitalize on the potential established in its inaugural run. The hope among fans and critics alike is that &quot;The Doomies&quot; will find a broader audience and that Disney+ will support its continued development, allowing the exploration of its charmingly spooky town for an extended period. The show&#8217;s unique blend of horror homage, compelling character dynamics, and visually striking animation positions it as a significant new entry in the landscape of all-ages animated programming. Its success could pave the way for more daring and genre-bending content within the family entertainment sphere.<\/p>\n<figure class=\"article-inline-figure\"><img decoding=\"async\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2026\/07\/Cape_Fear_Photo_010701.jpg?w=300&amp;h=168&amp;crop=1\" alt=\"\u2018The Doomies\u2019 Could Be the Spiritual Successor to \u2018Gravity Falls\u2019 That Animation Needs\" class=\"article-inline-img\" loading=\"lazy\" \/><\/figure>\n<p>&quot;The Doomies&quot; is currently available for streaming on Disney+.<\/p>\n<!-- RatingBintangAjaib -->","protected":false},"excerpt":{"rendered":"<p>The enduring appeal of &quot;Gravity Falls,&quot; the beloved Disney Channel animated series that aired from 2012 to 2016, continues to resonate with audiences, largely due to its masterful ability to craft a narrative that captivated viewers of all ages. Created by Alex Hirsch, the show was more than just a children&#8217;s program; it was an &hellip;<\/p>\n","protected":false},"author":1,"featured_media":5612,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[190],"tags":[1615,1614,1616,527,1613,191,1618,1617,192,193,989],"class_list":["post-5613","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-ages","tag-animated","tag-appeal","tag-captures","tag-doomies","tag-entertainment","tag-falls","tag-gravity","tag-movies","tag-music","tag-series"],"_links":{"self":[{"href":"https:\/\/propernews.co\/index.php?rest_route=\/wp\/v2\/posts\/5613","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/propernews.co\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/propernews.co\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/propernews.co\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/propernews.co\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5613"}],"version-history":[{"count":0,"href":"https:\/\/propernews.co\/index.php?rest_route=\/wp\/v2\/posts\/5613\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/propernews.co\/index.php?rest_route=\/wp\/v2\/media\/5612"}],"wp:attachment":[{"href":"https:\/\/propernews.co\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5613"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/propernews.co\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5613"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/propernews.co\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}